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Leeds  Art  Galleries, 


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'It.' 

Henry  H.  Leeds  &  Miner, 

AUCTIONEEES, 


''  Salesrooms,  95  Chambers  and 

77  Heads  Streets 


317  &  319  Broadway. 

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WORKS  OF  ART, 

COMPRISING  PICTURES  BY  CELEBRATED  AND  FAVORITE 

American  and  |;uropean 


INCLUDING 

ROTHERMEL’S  REPUBLICAN  COURT,  TIME  OF  LINCOLN. 

LEUTZE’S  LINCOLN  DELIVERING  HIS  SECOND  INAUGURAL  ADDRESS. 
ROSENBERG’S  LONG  BRANCH  BY  MOONLIGHT. 

DUBUFE’S  CIRCASSIAN  SLAVE. 

ITALIA,  BY  THE  BARON  WAPPERS. 

With  numerous  Fine  Pictures  by  Famous  Artists, 

TO  BE  SOLD  AT  AUCTION  BY 

HENRY  H.  LEEDS  &  MINER,  Auctioneers, 

On  t/ic  Evenings  of 

Friday  &  Saturday,  May  20tli  &  21st,  1870 

At  half-past  7  o’clock,  each  evening,  at  the 

LEEDS  ART  GALLERIES.  Nos.  817  AND  819  BROADWAY. 

S.  W.  Corner  of  12th  St. 

m-Q-m  QI  HHIBIf W: 


TERMS  CASH— CURRENT  FUNDS. 

A  sufficient  deposit  will  be  required  from  all  purchasers,  at  the  option  of  the  Auctioneer  which 
deposit  shall  apply  to  all  goods  purchased  at  this  sale. 

All  purchases  must  be  paid  for  within  twenty-four  hours  from  the  day  of  sale  or  the  deposit  will 
be  forfeited  and  the  sale  annulled  or  the  goods  resold  for  account  of  purchaser  at  the  option  of  the 
Auctioneer.  r 

All  claims  for  reclamations  must  be  made  on  or  before  12  o’clock  A.  M.  of  the  dav  after  the  sale. 

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CATALOGUE. 


R.  MAES. 

]  Dog  and  Cart. 


M.  M.  CARY. 
2  Chinkakook. 


A.  LAUX. 

3  The  Young  Student. 


4 

5- 


N.  BUSH. 

^ — 

Lake  Tahoe,  j 

V  Companions. 
A  Tropical  Evening,  ) 


E.  LANE. 

6  Autumn  in  Vermont. 


WALTER  M.  ODDIE. 

7  Landscape  and  Figures. 

T.  A.  COOPER.  ~ 

8  Landscape  and  Cattle. 


J.  F.  DICKEY. 


r 


n 

9  Headwaters  of  the  Alleghany 

J.  D.  BARROW. 

10  St.  Lawrence  River. 


\ 


OMEGANCK. 

1 1  Landscape,  Cattle  and  Figures. 


P.  G.  VERTIN. 


C  •'  k  .  ■ 

12  Street  Scene  in  Mechlin,  | 

-  Companions. 

13  Street  Scene  in  Leyden,  j  A— 

ASBECK. 

14  Landscape. 

J.  H.  B.  KOEK  KOEK  (Amsterd&n): 

1 5  On  the  Scheldt. 

S.  N.  CASS. 

16  Landscape. 


3  s 


J.  F.  DICKEY. 

1 7  Scene  on  the  Juniata. 

N.  CALYO. 

18  Life  in  the  Desert. 

N.  BUSH. 

19  Beach  Scene,  Aspinwall.  N.  G. 


i 


L.  RONDEL. 
21  Flowers. 


A.  DE  BRACKELEER. 
22  Visit  to  the  Castle. 


D.  M.  CARTER. 
23  The  Child’s  Birthday. 


ROFFIAEN,  ( Brussels ). 
24  Lake  View,  near  Zurich. 


BERNARDI. 

25  Swiss  Landscape,  j 

-  Companions. 

26  do  I 

J 


WAKEMAN  HOLBERTON. 
27  Quail  and  Young. 


G.  FARRANELLI. 

28  Naples,  Vesuvius  by  Moonlight. 


J.  W.  LINDLAR. 
29  Landscape. 


3° 


J.  WILLIAMSON. 


Indian  Summer. 


4 


M.  A.  KOEK  KOEK. 

31  Landscape  and  Figures, 


C-O 


lc 


/T) 


32 


do 


do 


Companions 


o 


Tb 


J.  HOWS. 

33  Morning  in  the  Adirondacks. 

A  fine  Painting  of  Autumn  Life  in  the  forest. 

TH.  GERARD,  (Brussels). 

34  The  Patient  Mother. 


CARPENTERO. 

33  Interior. 

VAN  HAM  ME.  (B  russels) 
36  Lady  in  her  Budoir. 

cw- 


f/H, 


v  A.  JERNBERG,  ( Dusseldorf. )  y 

37  Maid  and  Pet  Cat. 

WM.  F.  DE  HAAS. 

38  Scene  among  the  Alleghany  Mount 

CARABIAN. 

39  Harbor  of  Scheveningen. 

CONST.  BOONE. 

40  Exterior. 

VERHOEVEN  BALL,  (Antwerp.) 
4]  Preparing  Dinner. 


h 


5 


42 


46 


47 


49 


50 

51 


52 


C.  VAN  LEEMPUTTEN. 
Stable  with  Sheep. 


F.  STROEBEL. 
An  Interior. 


J.  RUYTEN’  (Antwerp.)  t 

The  Stopping  Place.  \  r  J  C/v  /" 

Companions.  (  ' 

School  is  Dismissed,  ) 


A.  ST  ACHE. 
The  Guitarist. 

FEVAL. 
Wild  Flowers 


WAKEMAN  HOLBERTON. 
Ouail  and  Young. 

F.  ANELLI. 


The  Birth  of  the  Lily. 

RENE  MENARD. 

Landscape  and  Cattle,  ) 

J-  Companions, 
do  do  I 

T.  ADDISON  RICHARDS. 

The  Head  Waters  of  the  Housatonic. 


6 


53 

54 


55 


5^ 


57 


5« 


59 


6o 


6i 


6  2 
63 


NORTHCOTE. 

Landscape  in  the  Alps. 

do  do 


20 

L 

Companions.  ’)  jT) 

i  (l/v 


S.&  GERRY.  U  0 

The  Falls  of  Tivoli  and  Villa  of  Maecenas,  near 
Rorpe,  painted  from  nature. 


n^L 


jv 


fyy  / 


is 


H.  O.  YOUNG. 

Mount  Lynn,  Coast  Roing,  Cal. 


CARL  ADLOFL. 
Ehrenbreitstein,  on  the  Rhine. 

F.  S.  LACHENWITZ. 
Stag  Attacked  by  Wolves. 


VON  WILLE  KLEIN. 
The  Mursch  Valley. 


F.  AN  ELL I. 
Neapolitan  Girl. 


J.  J.  HAMMER. 

A  Cottage  at  Honfleur,  France. 

VAN  SEVERDONCK. 

Goats  and  Chickens.  ) 

Companions. 

Sheep  and  Fowls.  ) 


J.  M.  CULVERHOUSE. 

64  Sortie  du  Bal,  Court  Louis  XV. 


66 


67 


69 


70 


C.  GROB  (Munich). 

Italian  Gipsy. 

MORENHOUT. 

Interior  of  a  Stable — Feeding  the  Horses. 


J.  J.  C.  SPOHLER. 

Near  Leyde. 

F.  KOST  (Dusseldorf ). 
The  Unwelcome  Visitor. 

H.  DIDDAERT. 

Dutch  Inn — Spanish  Soldier. 

F.  ANELLI. 

The  First  Lesson. 


C.  FRIEBEL. 

71  Lake  Scene  in  the  Tyrol. 

Broadly  painted,  with  a  grand  fulness  on  the  distance  and  middle 
distance.  One  of  the  best  German  landscapes  recently  imported  in  this 


country. 

J.  FAIRMAN. 

72  Gloucester  Point,  Mass. 

LOUIS  LANG. 

73  Gathering  Pond  Lilies. 


8 


74 


0~n 


KRUSEMAN  VAN  ELTEN. 

River  Scene. 


ROTHERMEL. 

75  The  Republican  Court,  Time  of  President  Lin¬ 
coln. 


The  above  represents  a  reception  at  the  White  House  in  the  time  of' 
Lincoln.  As  a  work  possessing  great  historical  interest,  actual  sittings 
having  been  given  to  the  artist  by  the  noted  persons  represented,  some  of 
whom  are  no  more — Mr.  Lincoln,  Mr.  Stanton,  Edward  Everett,  Jas.  T. 
Brady,  and  the  lamented  General  Thomas,  all  having  sat  for  this  picture. 
The  large  painting,  of  which  this  is  the  original,  was  purchased  for 
$25,000  for  presentation  to  General  Grant,  but  was  destroyed  by  fire. 
The  present  painting  occupied  the  artist  over  two  years,  at  a  cost  of  over 
$5,000  for  material,  in  its  composition,  sittings,  &c..,  of  the  distinguished 
persons  represented.  The  scene  is  taken  immediately  after  the  second 
inaugural,  and  represe  ts  in  the  most  pleasing  manner  prominent  persons 
in  that  notable  period.  Its  Statesmen,  Generals,  Admirals,  Authors, 
Lawyers  and  Ladies  are  here  given.  It  may  be  mentioned  in  this  con¬ 
nection  that  Mr.  Rothermel,  who  is  conceded  to  be  one  of  the  greatest 
historical  painter  in  this  country,  is  now  engaged  upon  his  great  work, 
“  The  Battle  of  Gettysburg,”  for  the  Capitol,  for  which  lie  receives  the 
sum  of  $30,000. 


W.  E.  WINNER. 
76  Winter  Sports. 

D.  M.  CARTER. 


From  “Moore’s  Loves  of  the  Angels.” 

JULES  NOEL. 

Coast  ot  Britanny. 

A.  ARNZ. 


1 


79  Landscape  and  Sheep. 


/ 


8o 

81 

82 

83 

84 

85 

86 

87 

88 

89 


9 


JULIE  H.  BEERS. 
Flowers. 


4J  * 

carmienckE 

Autumn  Landscape. 

C.  H.  CHAPIN. 

Donner  Lake,  Cal. 

C.  H.  MOZIN. 

Mountain  Torrent. 

WM.  F.  DfHAAS. 
Indian  Summer. 


M.  HEEREN,  ( Dusseldorf.) 
The  Early  Bird. 

F.  ANELLI. 

Jesus  and  the  Pilgrims. 


MAROHN,  (Paris.) 
The  Young  Recruits. 

L.  PLAS. 

Scene  near  the  Hague 


A.  ARNZ. 

Out  for  a  Day’s  Shooting. 


10 


f 


90 

91 


92 


93 


94 

95 


97 


99 


C.  MUNTER,  (  Berlin.) 


do 


do 


C.  BARRON. 
Reverie. 

FITZ  LANGE. 
The  Young  Ducks. 

ASBEC. 

Winter  Scene. 

P.  VERTIN. 

Street  Scene. 


A.  ORDWAY. 

Artist’s  Falls,  North  Conway,  N.  H. 


F.  KREUTZER,  (Dusseldorf.) 
Early  Morning  at  Antwerp. 

J.  B.  BRISTOL. 

Harvest  Time. 

J.  W.  LINDLAR. 

Landscape,  with  figures. 


2  / 


lOO 


LOUIS  TOUSSAINT. 
The  Aquarium. 


11 


101 

102 
lo8 

104 

105 

106 

107 

108 

109 

1 10 

1 1 1 

112 


VAN  WILLIS. 

Barnyard  Fowls. 


F.  RONDEL. 

Morning,  j 

Companions. 

Evening.  ^ 

CHAS.  LEICKERT. 
Winter  in  Holland. 

H.  DEITERS. 

Westphalian  Landscape. 

F.  RONDEL. 

Spring  Lambs. 

CLINTON  OGILVIE. 

New  Jersey  Meadows. 

LANE  (London). 
Water  Color  Landscape. 


MOERENHOUT  (Antwerp). 
Pleasure  Party. 


N.  BUSH. 

River  Rio  Grande,  Isthmus  of  Panama. 


BYRON  M.  PICKETT. 

Violette.  (Marble  medallion.) 
Veiled  Beauty.  (Marble  medallion.) 


12 


ROWBOTHAM. 

113  Aylsa  Craig. 

J.  H.  DOLPH. 

114  Fruit. 

WILROEDER. 

1 1  7  Landscape. 

F.  T.  S.  BOYLE. 

1 16  The  Full  Blown  Rose. 

E.  HILVERDINK. 

117  Street  Scene  in  Amsterdam,  j 

-  Companions. 

118  do  do  j 

H.  LEINWEBER. 

119  The  Lovers. 

ROSENBOOM. 

120  Winter  Scene  in  Holland. 

GEO.  H.  McCORD. 

121  'nhe  Amenoosick,  near  Bethlehem. 

C.  VAN  LEEMPUTTEN 

1 22  Barnyard  Chickens. 


13 


A.  PARTON. 

1 23  Sunset. 

LESCHUYER. 

124  Watering  Horses. 

J.  RUYTEN. 

125  Meat  Market  in  Antwerp. 

PAULINE  CARON. 

126  Gathering  Wild  Flowers. 

B.  NORDENBERG. 

127  Preparing  for  the  Christening. 

Very  charmingly  com;  osed  and  painted. 

H.  O.  YOUNG. 

128  Scene  on  Blue  Lake,  Cal.  j 

-  Companions. 

129  Scene  on  Clear  Lake,  Cal.  ^ 

MICHAUT. 

130  Hayfield. 

I.  J.  M.  DAMSCHROEDER. 

131  Interior  and  Figures,  The  Lesson. 

J.  F.  DICKEY. 

132  Spring. 

L.  PLAS. 

133  Scenery  in  Holland 


14 

A.  ORDWAY. 

134  Near  Concord,  N.  H. 

J.  F.  DICKEY. 

135"  Autumn. 

L.  WILKES. 

136  Scene  in  New  Jersey. 

J.  BOTH. 

137  Water  Color  Landscape. 

H.  HOLLANDER. 

138  The  Sisters. 

E.  BRITTEN. 

139  Scene  in  New  Hampshire 

CHAS.  LEICKERT. 

140  Street  Scene  in  Utrecht. 


■* 


Second  Evening’s  Sale 


J.  C.  VAARBERG. 

141  Card  Players.  _  0^/ 

H  GUERTIN. 

142  Interior. 

GEO.  H.  McCORD. 

143  On  the  Hudson  at  Hyde  Park. 


L.  SMETZ. 

144  Winter  Scene  near  Antwerp. 


J.  C.  WIGGINS. 
145  Landscape. 


HENRY  DeBRACKELEER. 

146  Interior  Cathedral,  Antwerp. 


A.  MAUVE. 

147  Landscape  and  Cattle,  misty  morning. 


J.  A.  HEKKING. 
148  Twilight. 


16 


J.  WAGNER,  Antwerp. 
Childhood  Pastime. 


CHAS.  OOMS,  (best  pupil  of  N.  DeKeyser.) 
“  L’Arrivee,”  The  Arrival. 


DeCAUWER. 

Dogs. 

L.  SCHAEFELS. 
Flowers  and  Game. 


CARL  HOFF. 

Love’s  Despair. 


KREUTZER. 
Moonlight  Ruins,  &c. 


A.  F.  TAIT. 

Deer. 

T.  ADDISON  RICHARDS.  ^ 
Bish  Bash  Falls. 


F.  RONDEL. 

Coast  Scene. 


' 


CLINTON  OGILVIF. 
Landscape  near  Farmington,  Conn. 


/ 


KRUSEMAN  VAN  ELTEN, 
l  59  Cloudy  Day — White  Mountains. 


J.  C.  VAARBERG. 

160  Armorer’s  Shop 

CRAEY  V  ANGER. 

161  The  Sculptor’s  Studio. 


#-  A' 


A) 


AT 

162 

1 63 


164 

165 

166 


1 67 

168 


169 


VICTOR  NEHLIG. 

Artist’s  Dream. 

DAVID  JOHNSTON. 

Lake  in  the  White  Mountains. 


M.  J.  HEADE.  7 

^ _ _ _ _  _ 

Morning  on  the  Prairies. 


GEO.  H.  SMILLIE. 

Afternoon  among  the  Mountains. 


WM.  HART. 

Scene  in  Ulster  County. 


JERNBERG. 

Anticipation.  j 

'  Companions. 

Blasted  Hopes.  1 


JULIE  BEERS. 

Near  Shelbourne,  N.  H. 


V 


18 

W.  L.  SONNTAG. 

170  Early  October  in  New  Hampshire. 

G.  A.  ROTH. 

171  City  Hall,  Amsterdam. 

J.  FAIRMAN.  \y 

X'j'l  Meadow  in  Sunday  River  Valley. 

OTTO  ERDMANN.  CfJlfoj 


173  The  Blonde 


Companions. 


174  The  Brunette. 


Two  exquisite  heads. 


J.  WILMS. 


175  Fruit. 


G.  HEEREBAART. 


176  Landscape  and  Figures. 


J.  G.  BROWN. 


177  Innocence. 


One  of  the  very  best  and  most  pleasing  proauctions  of  this  eminent 
American  artist. 


/ 


/ 


178  Near  Shelbourne,  N.  H. 


A.  BIERSTADT. 


A  fine  example  bv  this  celebrated  artist. 


19 


ALCIDE  BOICHARD,  Paris. 

179  Domestic  Happiness. 

Undoubtedly  the  linest  specimen  by  this  eminent  painter  ever 
brought  to  this  country. 


S.  R.  GIFFORD. 

1 80  Landscape. 

f'C<{  '  '’Y'  J 

A.  F.  TAIT. 

181  Ruffled  Grouse. 

A  capital  example  of  this  master ;  the  background  very  finely 
painted. 


G.  MONGER.  (j  '^J 

182  Cabinet  Landscape  on  the  Passaic 


J.  CARLIN. 

183  The  Shipwreck. 


P.  L.  COUTURIER. 
184  Chickens. 


A.  LEDRUT,  (Paris.) 

185  Mediterranean  View.  Coast  of  Algiers. 


n  u 


JULES  ROSIER. 

186  Landscape,  Twilight. 

PAUL  VON  FRANCK  F. 

187  Caucassian  Landscape. 


H.  F.  ELZER. 

188  Fishing  Smacks. 

W.  HOLBERTON. 

1 89  Quail  and  Young. 


JAS.  D.  SMILLIE. 
160  October. 


PROF.  C.  BEWER,  ( Dusseldorf.) 

191  Italian  Girl. 

Very  vigorous  in  handling  and  purely  and  finely  treated  in  point  of 
color. 


WALRAVEN. 

'  /* 

192  The  Happy  Home..  ( 


C.  G.  ROSENBERG. 
193  The  Desert  Courier,  day. 


v  U 


Companions.  *  r 

ca  -  /  ^  ^ 


194  Jo  d<'  night.  ' 

V>  ']/  / 

Two  vigorous  transcripts  of  life  in  the  desert,  where  railroads  and 
1  lie  Post  are.  yet  unknown.  They  are  composedGvith  great  nerve  and 
vitality,  and  colored  with  force  and  grace. 


BERNARDI. 

195  Swiss  Landscape. 

H.  SAN  RY. 

196  Landscape  and  Cattle.  The  Milkmaid. 


197 


A.  MAUVE  and  DAVID  COL. 

Landscape.  Cattle  and  Figures. 


/ 


HERTEL. 

198  Italian  Landscape. 


A  broad  and  masterly  effect  of  color,  and  light  and  shade,  evidently 
the  work  of  a  master.  / 


L.  JOULIN,  Paris. 
199  Farewell  to  Love. 


n 

/  y  j  ] 


A.  DeBRACKELEER. 

200  The  Lovers. 

D.  COL. 

/)  - 

201  The  Scolding 


202 


203 


F.  RONDEL. 

View  on  the  VV allkill,  near  Newbury. 


J.  M.  CULVERHOUSE. 


Market  Scene,  Candle  and  Moonlight  Effect. 


LOUIS  LASSALLE  (Paris). 

204  Feeding  Rabbits.  1 

>  Companions. 

205  Pet  Kittens.  ; 

J.  POPE. 

206  Landscape,  with  Cattle. 

One  of  this  artist’s  latest  and  very  best  productions. 


{j0  22  /  0* 


J.  DECKER. 


207 

208 


Deer  and  Fawns, 
do  do 


Companions. 


E.  BIDAU  (Paris). 

209  Flowers. 

A  beautiful  flower  piece,  freshly  painted — exquisitely  luminous  in 
color,  and  pure  and  graceful  in  finish. 


210 


WM.  BROWN  (London). 
The  Horse  Market,  Smithfield. 


At  the  George  Inn.  Painted  in  1856  for  Lord  Stealing,  whose  por¬ 


trait  with  that  of  Tattersalls  are  in  the  foreground. 


A.  JUILLARD. 

211  Landscape,  Westphalia. 


212 


A.  VON  WILLE. 

Still  Life — Fruit,  Flowers, 


Capitally  painted  by  a  master  equally  celebrated  as  a  painter  of 
figures,  fruit,  flowers,  and  everything  which  he  can  employ  as  a  model. 


W.  LINNIG  (best  pupil  of  Baron  Leys). 


213  Boating  Party,  16th  Century. 

us 

C.  G.  ROSENBERG. 

214  Long  Branch  by  Moonlight. 

A  remarkably  fine  composition,  treated  with  great  power  and  origin¬ 
ality.  It  is  one  of  the  best  American  moonlights  ever  produced,  and  in 
its  clear  and  freshly  luminous  grey,  far  more  closely  translates  nature, 
that  is  generally  the  case  with  paintings  of  this  character. 


23 


2l5 


E.  S.  WATELET,  Paris. 


Landscape,  Chalet  at  the  foot  of  the,  Jura. 


A.  COUDER. 

216  Fruit  Piece.  Grapes,  Peaches  and  Melons. 


J.  BOTH. 

217  Landscape,  very  minutely  finished. 

CH.  HERRMONN  LEON. 

2 1 8  The  Last  Rose  of  Summer. 


VICTOR  NEHLIG. 

219  The  Sculptors  Studio. 


br+ 


One  of  the  finesl  small  paintings  this  master  has  ever  produced.  In 
drawing,  vigor  of  color,  and  firmness  of  handling,  it  can  be  equalled  by 
few  American  artists. 


P.  C.  E.  GALLARD  L’EPINAY,  (Paris). 
220  Bay  of  Naples. 


< 

o 


J.  DEVAUX,  (Paris). 

22 1  The  Young  Houeskeepers. 

F.  MAROHN,  (Paris). 

222  Children  Fishing  through  the  Ice. 

L.  TOUSSAINT. 

223  Travelling  Portrait  Painters. 


24 


WILHELM  I. 

Feeding  the  Chickens 


W.  J.  MARTENS,  (  Paris).  ^6 
Reverie.  i 


N.  FRAGONARD. 

226  The  Adoration  of  the  Shepherds, 

On  Vellum. 


/ 


B.  MULLER.  Paris. 

227  Street  View,  Valencia. 

A.  BORCKMANN,  Berlin. 

228  Chiding  Cupid. 

A  charming  example  of  this  painter;  exquisitely  rich  in  color  and 
admirable  in  detail. 


T.  BILDERS,  Amsterdam. 

229  After  the  Storm. 

One  of  the  most  charming  Flemish  landscapes  ever  brought  to  the 
United  States.  The  sky  is  wonderfully  aerial  And  delicate  in  color 
while  the  distance  has  been  exquisitely  lelt  by  the  artist. 


N.  DIAZ,  Paris. 
230  Diane  de  Poitiers. 


K 


Undoubtedly  the  finest  work,  by  this  master,  in  the  United  States 


7 


23> 


C.  GESELSCHAP. 
Christmas  Eve. 


•  Mi 


/ 


\0  0 


W.  BABCOCK,  Paris 

232  Grief.  K/ 

Exquisitely  painted  with  a  magnificent  range  of  fl>  sk  color  and  won¬ 
derful  grace  and  finish  of  creation 

E.  ESCALITER,  Paris. 

233  Flowers,  / 

Companions. 


2  34 


23> 


do 

E.  DUBUFE,  Paris. 
The  Circassian  Slave. 


This  picture  which  was  originally  painted  to  order  for  Charles  X  of 
France,  is  one  of  the  best  works  produced  by  the  great  French  master 
The  form  of  the  slave  is  exquisitely  drawn,  and  the  flesh  and  tints 
superb,  while.-  the  huxfering  spirit  of  the  Jew  and  the  aristocratic  non¬ 
chalance;  of  the  Moslem,  to  whom  he  is  exhibiting  his  human  mer¬ 
chandize,  are  admirable. 


'I 

/ 


KJ 


G.  BENASSAf,  Rome. 

236  The  Pontine  Marshes. 

PAULINE  VON  BOLLCHER,  Diiseldort. 

237  A  Delicious  Display,  Fruit,  &c. 

JAS.  M.  HART. 

238  Cattle  in  the  Pool. 

A  delicious  little  landscape,  painted  with  the  master’s  usual  gj ace. 

P.  VILLAMIL,  Paris. 

239  El  Maton. 

Perhaps  the  best,  and,  in  character,  decidedly  the  most  vigorous 
painting  of  Spanish  life,  for  many  years,  offered  for  sale  in  this  country. 


*) 


JULES  ROZIER. 

240  Landscape  in  Normandy. 


H.  GRIERSON,  (London). 
241  The  Coquette. 


f  f 


u 


24  z  The  Sly  Boots. 


Companions. 


Two  capital  English  female  heads,  painted  with  plenty  of  freshness 
and  clear  strength  of  color. 

A.  F.  MONFALLET,  (Paris). 

243  The  Garden  of  Versailles. 

A  deliciously  painted  small  picture,  full  of  grace  of  color  and  deli¬ 
cacy  of  detail.  Composed  with  exquisite  taste. 

BARON  GUSTAVE  WAPPERS,  (Paris). 

244  “  Italia.” 

-r'T  *T 

An  emblematic  figure,  in  which  the  ease  of  the  brush  and  vigor  of 
outline  are  singularly  fine.  The  head  is  superb,  and  if,  as  it  has  been 
reported,  it  is  the  likeness  of  a  patroness  of  the  Baron’s,  she  must  have 
been  a  wonderfully  beautiful  woman.  The  only  other  picture  ever  sold 
at  auction  in  this  country,  by  the  artist,  was  in  the  collection  of  Mr. 
John  Wolf,  and  although  a  masterly  work,  is  considered  by  no  means 
equal  to  this.  It  sold  for  $3,500. 

A  S.  JACOBSEN. 

P 

245  Norwegian  Landscape. 

LOUIS  LANG. 

246  The  Bird’s  Nest 


AUG.  PAUVEL,  (  Paris). 
247  The  Travelling  Musicians. 


\ 

ARM  AND  DUMARESO,  (Paris). 


248  The  Zouave’s  Prayer 

C.  CHAPLIN,  (Paris). 

249  Les  Tourterelles. 

Exquisitely  fresh,  and  very  charmingly  drawn. 


27 


J.  M.  CULVERHOITSE. 

290  The  Connoisseur. 

(Painted  in  Paris). 

J.  M.  HART. 

251  Evening  Landscape. 

DUBOURGAL,  (Paris.) 

252  Miniature,  on  ivory,  of  Madams  Recamier,  the 

beauty  of  the  Empire. 

J.  WILSON,  (London.) 


253  Loch  Lomond,  Scotland.  j 

Companions. 

2  £4  Landscape  near  Stoke  Pogis.  )  , 


DE  VOS. 

255  Traveling  Comedians.  \ 

256  do  do 

S.  RUYSDAEL. 

2^7  Cabinet  Landscape. 

J.  W.  BAXTER. 

2  ^8  Flora 

E.  LEUTZE. 


Companions. 


7 


j*  > 


2^9  President  Lincoln  Delivering  his  Second  Inau¬ 
gural  Address. 

This  is  perhaps  the  grandest  and  most  masculine  portrait  of  the 
martyred  President  ever  painted.  The  head  is  splendidly  rendered, 
while  the.  composition  is  both  simple  and  vigorous.  It  was  originally  in 
the  Library  of  the  New  York  Club,  having  been  painted,  for  that  body 
of  gentlemen,  to  order. 


V 


BRAC 

260  Caught  in  the  Act 

H.  MAES. 

261  Too  Dear. 

> 

V.  JANSSENS. 

262  Rustic  Kitchen. 


R.  A.  BLAKELOCK. 


263 

264 


Landscape,  Evening. 

do  After  the  Shower. 


f 


Companions. 


Marble  Statuary,  &c. 


265  Superb  inlaid  mosaic  table  slab,  The  Coliseum. 

266  Marble  bust  John  C.  Calhoun,  by  Greenough. 

267  Marble  bust  of  the  artist  Greenough,  byhimseh 


FROM  THE  CONSERVATORY  OF  THE  NEW  YORK  CLUB. 

268  2  Bacchantes. 

269  2  Sphinx. 

270  Crouching  Venus. 

271  Maid  at  the  Fountain. 

272  The  Faun. 

Allen  B.  Miner, 

Auctioneer. 


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